Yiddish Summer Weimar - Germany's best known festival of Yiiddish Music - 2008: July 10th - August 15th

The Other Europeans

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Yiddish Summer 2008 opens on July 10 and 11 with world-class concerts by two new bands created specially for the project "The Other Europeans"; a klezmer octet directed by Alan Bern, and a Roma sextet directed by cymbalom virtuoso Kalman Balogh.

 

Yiddish Summer Weimar 08: July, 10th - August, 15 th

"The Other Europeans"

 

Michael Alpert (USA, voice/violin)

Kalman Balogh (Hungary, cimbalom)

Alan Bern (USA/Germany, accordion/piano)

Kurt Bjorling (USA, clarinet/tsimbl)

Daniel Blacksberg (USA, trombone)

Paul Brody (USA/Germany, trumpet)

Marin Bunea (Moldova, violine)

Efim Chorny (Moldova, voice/composition)

Bob Cohen (Hungary, fiddle)

Matt Darriau (USA, flute/Es-clarinet/saxofon)

Rosi Dasch (Germany, voice/violin)

Christian Dawid (Germany, clarinet)

Sruli Dresdner (USA, voice/clarinet)

Antal Fekete (Hungary, kontra viola)

Zev Feldman (USA/Israel, dance/tsimbl)

Pesakh Fizman (USA, Yiddish)

Sue Foy (Hungary, dance master)

Susan Ghergus (Moldova, piano)

Dorothea Greve (Germany, Yiddish)

Florin Kordoban (Romania, dance master)

Gyula Kozma (Hungary, bass)

Tcha Limberger (Belgien, voice/violin)

Sanne Möricke (Germany, accordion)

Katharina Müther (Germany, voice/accordion)

Csaba Novak (Hungary, bass)

Ferenc Pribojszki (Hungary, cimbalom)

Petar Ralchev (Bulgarien, accordion)

Stas Rayko (Ukraine/Germany, violin)

Adrian Recean (France, clarinet)

Mark Rubin (USA, bass/tuba)

Fabian Schnedler (Germany, voice)

Guy Schalom (United Kingdom, percussion)

Andreas Schmitges (Germany, dance master)

Jake Shulman-Ment (USA, violin)

Adam Stinga (Moldova, trumpet)
 

Michael Alpert (USA, voice/violin)

 

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Kalman Balogh (Hungary, cimbalom)

has grown up with authentic folk music, but also studied classical music. He graduated as cimbalom teacher from the Liszt Academy, Budapest in 1980, studying under Ferenc Gerencsér. In 1985 he was awarded the Hungarian distinction of "Young Master of Folk Arts", and two years later he won second prize in the Aladár Rácz cimbalom-competition. He plays mostly authentic folk music from Hungary and from the Balkans, though during the last years he has played with jazz groups, rock bands and a symphony orchestra, too. As an artist he has performed with such Hungarian bands as Jánosi, Ökrös, Téka, Méta, Muzsikás, Zsarátnok, Vízöntő, Vasmalom, the Swedish Orient-Express, the Dutch Sultan and Ot Azoj, the English Transglobal Underground, the American Peter Ogi and the Joel Rubin Jewish Ensemble. He was musical director of the "Magneten Gypsy Show" of Andre Heller and also performed on a CD with the Budapest Festival Orchestra playing Brahms' Hungarian Dances. In 1997, he performed with the Brooklyn Philharmonic Orchestra and also with the Miami Philharmonic Orchestra.
http://www.balogh-kalman.fw.hu

 

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Alan Bern (USA/Germany, accordion/piano)

program director of the Weimar Workshops and leader of BRAVE OLD WORLD, Alan Bern is considered one of the finest pianists, accordionists and composers in Jewish music today. He has performed and recorded with the KLEZMER CONSERVATORY BAND, the KLEZMATICS, Andy Statman, SHIRIM, KAPELYE, Itzhak Perlman, Seymour Rexite, the SYMRNA TRIO, PARIS-TO-KIEV, and many others. Bern is also renowned as a teacher and workshop director, in which capacities he works regularly at Klezkanada (Montreal), Klezfest (London), Klezmer Wochen (Weimar) and elsewhere. His compositions have received awards in the USA, Europe and Israel. Bern also writes and directs music for theatre and modern dance. In 2006, he earned a doctorate degree in Music Composition at the College-Conservatory of Music, University of Cincinnati. A native of Bloomington, Indiana, he lived for many years in Boston and Brooklyn and has been based in Berlin since 1987.

www.braveoldworld.com | www.myspace.com/alanbern

 

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Kurt Bjorling (USA, clarinet/tsimbl)

clarinetist and musical director of the CHICAGO KLEZMER ENSEMBLE, also performs on accordion, tsimbl, bass clarinet and saxophone. Since 1992 he has been a member of the internationally acclaimed quartet BRAVE OLD WORLD and he has also toured and recorded with the KLEZMATICS, with violinist Itzhak Perlman. Bjorling has composed two pieces for orchestra and soloists: in December 1991 he appeared as guest soloist with the Concordia Chamber Symphony at New York's Lincoln Centre, performing a "Suite of Yiddish Music", which was commissioned from him for the occasion and in June 1998 his “Concertino on Klezmer Music Themes” was performed by the Huntington Symphony with members of the Cincinnati Klezmer Project. Bjorling has taught music at the annual Yiddish Folk Arts Program sponsored by the YIVO Institute and Living Traditions, at the Multicultural Folk Arts Centre’s klezmer music camp at Buffalo Gap, West Virginia, and at numerous European festivals and workshops including the annual Jewish Culture Festival in Cracow, Poland and the Jüdische Kulturtage in Berlin, Germany. Bjorling studied clarinet with Lloyd Scott and Larry Combs. In addition to his involvement with Yiddish music, he has been active playing jazz, chamber music and various styles of ethnic folk music, as well as arranging and performing music for theatre.

www.muziker.org

 

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Daniel Blacksberg (USA, trombone)

a native of Philadelphia Pennsylvania, has become involved in klezmer music only in the last few years. In that short time, he has played with many of the field's top artists such as Frank London, Michael Alpert, Alan Bern, Hankus Netsky, Adrienne Cooper, Alicia Svigals, Michael Winograd, Alex Kontorovich, Daniel Kahn, Aaron Alexander and the Shirim Klezmer Orchestra. He has appeared at the Krakow Jewish Music Festival, at the Ashkenaz Festival in Toronto and Klezmer Festival Fürth as well as many concerts all across the US and Europe. He has taught at both Klezkamp and Klezkanada.
Dan received his Bachelor of Music in jazz performance from the New England Conservatory, where he completed studies with Bob Brookmeyer, Joe Morris, Ran Blake, Joe Maneri and Hankus Netsky. He remains deeply involved in the world of jazz and creative improvised music and has performed with Joe Morris, Joe Maneri, Gunther Schuller and Anthony Braxton. He has been a member of the Danilo Perez Big Band and is on the recent release The Panama Suite.

www.danielblacksberg.com

 

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Paul Brody (USA/Germany, trumpet)

is from San Francisco and studied trumpet and composition at Boston University and the New England Conservatory. His band, Paul Brody's Sadawi, has its third CD on the legendary Tzadik label. The latest recording 'For the Moment' features, John Zorn, Frank London, and Michael Alpert. Paul lives in Berlin and has worked with such greats as Barry White, Wim Wenders, The Supremes, Blixa Bargeld and The Einstürzende Neubauten, Theadore Bikel, Sophie Solomon, Cora Frost, Die Geschwister Pfister, Ari Benjamin Meyers and The Redux Orchestra, Carlos Bica, Socalled, Anthony Coleman, Khupe, Michael Rodach, Frank London, Harold Junke, The Klezmer Conservatory Band, The Duke Elington Review (Broadway show), David Moss, Shirly Bassy, Ed Schuller, Tony Buck, Gale Tufts, Rudi Mahal, Katharina Talbach, Billy Bang, Bob Moses, David Krackauer, and many more. He has been featured at many major festivals including the Berlin Jazz Festival, Krakow Jewish Culture Festival, Donauschingen Music Festival, Minsk Jazz and Klezmer Festivals, Vienna KlezMORE Festival, Paris La Musique Fest, Warsaw Jazz Festival, Vilnius Yiddish Music Fest, the Prague Nine Gates Festival and he has composed the music for various film and theater projects. In addition to his solo career, Paul composes and produces children's music for the Oetinger Publishing house and WDR radio. His children’s songs have been on the top 10 number one hits at WDR radio and on a 'Favorite Songs' sampler put out by EMI records.

www.paulbrody.net

www.myspace.com/paulbrodyskidsmusic

www.myspace.com/paulbrodysadawi

 

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Marin Bunea (Moldova, violine)

was born 1969, in a small town at the north of Moldova, named Donduseni. His father and grandparents were fiddlers. Marin plays violin from 6 years old and graduated from Chisinau conservatory in 1997, in the class of Valeriu Hancu. He played in several bands and performed in many countries, such as Belgium, France, Germany, Turkey, Italy, Russia and the Ukraine. His repertoire includes traditional Romanian music, fiddler's music, classical music and many traditional pieces of different nations. At the moment Marin plays in one of the most famous traditional restaurants from Chisinau, "La Taifas".

http://youtube.com/watch?v=wj_1lOsR5CM

 

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Efim Chorny (Moldova, voice/composition)
is one of the most important protagonists in the revival of Jewish culture in Eastern Europe. Efim's characteristics of a charismatic presence, exceptional voice, great humour and temperament make him a successor of the great tradition of Yiddish Song; a tradition in which he lives and which he personifies. More than 30 CDs of Klezmer groups contain a number of his songs. These songs are singing (in repertoire) by world-known Jewish performers, such as Adrienne Cooper, Shura Lipovsky and others.
Efim is a leader of "Theatre of Jewish Song" (Kishinev) and soloists of "Klezmer Alliance" (German-Moldova-England). Together with "Klezmer Alliance" he performed more than 150 concerts in Europe.
www.myspace.com/klezmeralliance

 

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Bob Cohen (Hungary, fiddle)

Born in New York and now living in Budapest, Bob began field research in 1988 among Roma in Transylvania, discovering that many older Roma band leaders maintained a repertoire of Jewish music learned from having played with Jewish musicians at weddings, and subsequently collected Yiddish traditions in Hungary, Transylvania, and Moldavia from elderly Jews and from Roma who had associated with them. Subsequently Bob apprenticed to several Roma fiddlers, including Ference Arus of Méra, Marton Kordoban of Palatka, and Gheorghe-Ioannei Covaci of Ieud to learn the art of Transylvanian fiddle. He is a founding member of “Di Naye Kapelye”.
www.dinayekapelye.com

 

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Matt Darriau (USA, flute/Es-clarinet/saxofon)

saxophonist, clarinetist, ethnic-woodwind specialist and composer has made several innovative contributions to the New York music scene. His background in the fertile and eclectic milieu of the New England Conservatory of Music’s Third Stream Program in the early 80’s, and the continued practice of Balkan, Klezmer and Celtic folk idioms, have helped shape his esthetic and passion for creating new and unusual music. He is active as composer-musician in the Klezmatics, Paradox Trio (His veteran Balkan - Jazz fusion group, 3 CD's on the Knitting Factory label and the most recent CD, GAMBIT, on the ENJA label), Ballin’ The Jack (avant-swing septet - 2 CD’s on KF records), Disastro Totale (with Yuri Lemeshev of Gogol Bordello), Roberto Rodriguez Septet (Tzadik), FRANK LONDON’S Klezmer Brass Allstars (Piranah) and his recently formed Yusef Lateef project and the Recycled Waltz Orchestra. He has been awarded grants and commissions from the NEA, Chamber Music America (2005) and is a regular in New York’s downtown jazz scene.
www.myspace.com/mattdarriau

 

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Rosi Dasch (Germany, voice/violin)

born 1963 in Marl, studied violin at the Musikhochschule Köln and voice privately. Her intensive engagement with Jewish culture and music led to her founding the ensembles PAYKELE in 1987 and LEWONE in 1996. She participated in seminars led by Giora Feidman and met there her duo partner , Katharina Müther (DUO WAJLU), with whom she gives seminars. Roswitha Dasch has worked closely with numerous Jewish folk music ensembles for many years. In 1998 she presented a concert of songs and texts from the Vilna Ghetto in the German Parliament. She has created an exhibition devoted to this topic and made a documentary film „Sage nie, du gehst den letzten Weg“ with filmmaker Sabine Friedrichs.

www.wajlu.de | www.roswitha-dasch.com

 

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Christian Dawid (Germany, clarinet)

studied Western classical music, went on to diverse stylistic experiences from a capella pop to alpine brass music to finally specialize in Yiddish instrumental music. Counting as one of today's leading klezmer clarinetists, he has performed extensively throughout Eastern and Western Europe and North America. He has worked with numerous international artists, among them Boban Markovic, Frank London, Brave Old World, Socalled, Theodore Bikel, Lorin Sklamberg, Smyrna Trio, Strauss/Warschauer Duo, Shura Lipovsky and DJ Yuriy Gurzhy. He has been teaching at festivals and academies from Canada to Russia to Japan, such as Yiddish Summer Weimar, KlezKanada, Klezfest St Petersburg, Klezmer Paris, Klezkamp, Klezfest London or the Jewish Culture Festival in Cracow. His latest recordings include two highly acclaimed CDs, Budowitz: "Live" and Paul Brody's Sadawi: "For the Moment". Dawid also plays for Khupe and his newest, widely noticed project, the Ukrainian hipster family brass band, Konsonans Retro. In between, he lives in Berlin.
www.konsonans.com | www.khupe.de

 

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Sruli Dresdner (USA, voice/clarinet)

is a klezmer musician who specializes in traditional Hasidic niggunim. Sruli was raised in a Hasidic environment where he learned hundreds of nigunnim from his family and community. Sruli has shared his love for traditional Hasidic melodies all over the world including KlezKanada, the Krakow Jewish Festival and Klezmer Wochen Weimar.
www.sruliandlisa.com

 

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Antal Fekete (Hungary, kontra viola)

Antal “Puma” began playing the three stringed Transylvanian kontra viola in 1973, and has become one of the most respected musicians in Hungarian folk music, accompanying the Palatka band on many occasions, as well as releasing CD recordings of their music. He is a member of “Di Naye Kapelye”.
www.dinayekapelye.com

 

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Zev Feldman (USA/Israel, dance/tsimbl)

is a leading researcher in both Ottoman Turkish and Jewish music, and a performer on the klezmer dulcimer, tsimbl. During the mid-1970s he and Andy Statman studied with Dave Tarras and were two of the creators of the klezmer revival; at that time Feldman reintroduced the dulcimer tsimbl into klezmer music with his classic LP “Jewish Klezmer Music”. Today he performs with the group Khevrisa and elsewhere. Having grown up with traditional Ashkenazic, Greek and Armenian dance, during the 1970s he researched and taught Turkish folkdance. Today Feldman is a teacher and performer of Ashkenazic dance, leading workshops in the U.S., Canada, England, Germany and Israel. Zev is a part-time associate professor at Bar-Ilan University (Tel-Aviv) and a fellow of the Center for Jewish Music Research at the Hebrew University, Jerusalem. He was a co-editor of the Medimuses Project for Modal Musics of the Mediterranean for the EnChordais School in Thessalonica, Greece. In 2004 he co-directed the successful application of the Mevlevi Dervishes of Turkey for the UNESCO proclamation of the masterpieces of the oral and intangible heritage of humanity. In 2003 he curated the concert series “The Revival of Klezmer and Yiddish Music in New York” at the CUNY Graduate Center. He was the artistic director for Jewish music at the 92nd Street in New York, and was the artistic director of the series “Music and Dance of the Jewish Wedding” (2004-2007) and "Music of the Mystics"(2005). Today he is teaching klezmer music at the Rubin Academy of Music in Jerusalem.

 

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Pesakh Fizman (USA, Yiddish)

Among Yiddish speakers, storytelling has a long tradition: Pesakh Fiszman, a native Yiddish speaker born and raised in Argentina and living today in New York, is one such storyteller. Equally entertaining and informative, he tells stories of miracle-working rabbis, of fools and simpletons or of the wisdom of King Solomon. His rare gift and humorous style make the stories comprehensible even to listeners who thought they couldn’t understand Yiddish. Using the full-immersion method, Fiszman teaches Yiddish language and literature all around the world: at Columbia University, University of Moscow, KlezKanada Festival in Montreal, Oxford Institute for Yiddish Studies. In 2006, the Weimar Klezmer Wochen is inviting Fiszman for the fourth time to be Lecturer in Yiddish, the „language without a country.“

 

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Sue Foy (Hungary, dance master)

is a Budapest based dance ethnographer who documented klezmer dance in New York from the elderly immigrant Jewish generation alive during the 1980s. In addition to klezmer dance, Sue has spent decades learning and teaching Hungarian traditional dance and will be leading the dance workshops.

 

 

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Susan Ghergus (Moldova, piano)
studied piano at the Music Conservatory in Kishinev and is a longstanding specialist in the accompaniment and arrangement of Jewish song. She is highly experienced in classical piano techniques and is an expert in the style of Jewish dance music. This combination makes her an outstanding musician as she is able to blend Klezmer rhythms with the melodies of Yiddish songs stylishly with a Jewish, Bessarabian flair.
Susan is a leader of "Theatre of Jewish Song" (Kishinev) and soloists of "Klezmer Alliance" (German-Moldova-England). Together with "Klezmer Alliance" she performed more than 150 concerts in Europe.
www.myspace.com/klezmeralliance

 

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Dorothea Greve (Germany, Yiddish)

For years, Dorothea Greve has taught Yiddish language courses at the University of Hamburg and crash courses at various foreign universities. Additionally, she is the lead singer and reciter of the KARAHOD ENSEMBLE and also sings in the Klezmer ensemble FREJLECHS. She is a founder of the Salomo-Birnbaum-Association for Yiddish in Hamburg and used to perform in numerous Yiddish-Jewish theatre productions. Furthermore, does she translate Yiddish literature into German, e. g. stories by the Ukrainian-Yiddish writer Alexander Lisen or the diary about the ghetto and concentration camp experience by Mascha Rolnikaite. In Weimar, Dorothea Greve will repeatedly teach a beginner’s crash course in Yiddish language.

 

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Florin Kordoban (Romania, dance master)

lead fiddler of the Paltka band, will be teaching dancing but also playing for concerts and jams. Florin is the son of the late master fiddler Marton Kordoban of Palatka. He speaks Romanian, Hungarian, Romani, and if pressed, a bit of English ….

 

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Gyula Kozma (Hungary, bass)

Gyula plays in the oldest Transylvanian styles using three stringed gut strung folk basses. He is a member of “Di Naye Kapelye”.
www.dinayekapelye.com

 

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Tcha Limberger (Belgien, voice/violin)

was born into a musical family of old, with each member playing musical instruments (his grandfather was the legendary Piotto Limberger). His Manouch tzigane father, Vivi Limberger, and his Flemish-born mother Lut Bruyneel each inducted him into their own culture. As a young boy, Tcha was bent on becoming a flamenco singer. Aged twelve, he started out on the clarinet, joining the family orchestra, the Piottos. In due course, he swapped the flamenco guitar for a Django guitar, learning how to play with the likes of Koen De Cauter and Fapy Lafertin as he went along. At the instigation of Dick Vanderharst and Herman Schamp to name just two, he learned how to analyse music, considerably widening his horizons in the process.
When Tcha turned seventeen, he took up the violin and by the time he was twenty-one, he left for Budapest where he took classical and zigane musical classes from Horvat Bela.
Following his return, he went on to play in or set up a number of orchestras, making quite a few recordings as a freelance instrumentalist.

http://www.myspace.com/limbergertcha

 

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Sanne Möricke (Germany, accordion)

is one of today's most highly sought after klezmer accordionists. She performs for KHUPE (D) and SUKKE (D/NL/GB), teaches at KLEZKAMP, KLEZFEST LONDON and other festivals and played with FRANK LONDON'S KLEZMER BRASS ALLSTARS (USA), Steven Greenman's STEMPENYU'S DREAM (USA), SUSAN WATTS, JOANNE BORTS, MICHAEL ALPERT, VERETSKI PASS and many others.

www.khupe.de

 

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Katharina Müther (Germany, voice/accordion)

graduated from Freiburg Music Academy and University in 1981 and has been involved with Jewish music since her childhood. She has appeared in various radio and TV-programs (national and international), worked at Mannheim Staatstheater in 1992/93 as stage musician in „Ghetto“ by Joshua Sobol and is now touring all over Germany, Europe and the US. She lives near Freiburg im Breisgau.Katharina loves teaching both individually and in workshops about Yiddish and Sephardic music, focussing on improvisation and arrangement of songs.Since 2003 she is happy to be part of the teaching team in Yiddish Summer Weimar.

www.voice-between-cultures.de

 

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Csaba Novak (Hungary, bass)

born in 1962 in Szolnok, Hungary, is from an all musicians family. So it was only natural for him to start learning music at an early age of 6. First he learned piano playing, but as his father was a double bass player, he was more interested in the double bass. At the age of 9 he continued his musical studies on double bass. At the age of 12 he became member of the world famous Rajko Music Band and School, where he continued both his general and music studies. After finishing school he went to play gipsy music in restaurants in Budapest. He did that for almost 20 years. But something was missing…
It was then when he met Kalman Balogh cimbalom player, and became the member of his world music group. Since then he has played with many fine and famous musicians in Hungary. At this moment he is member of two world famous Hungarian music groups: the Balogh Kálmán Gipsy Cimbalom Band, and the Palya Bea Quintet.

http://www.balogh-kalman.fw.hu

 

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Ferenc Pribojszki (Hungary, cimbalom)

Cimbalom player Ferenc is the student of Transylvanian Roma master Arpad Toni, one of the last Gypsy musicians to maintain a Jewish repertoire. Ferenc is a member of “Di Naye Kapelye”.
www.dinayekapelye.com

 

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Petar Ralchev (Bulgarien, accordion)

was born 1961 in the village of Poibrene, Pazardzhik district. Aged 5 only, he played by ear the first folk tune he heard from his uncle, an amateur musician. His parents enrolled him into a music school and it was there that he began from the very first grade, to learn the secrets of the accordion under the guidance of Kostadin Milarov. Later he was admitted into the Mihail Mihailov’s class in Plovdiv. Those were the years which provided a solid basis that has influenced his overall growth as musician. In 1977 he was awarded the First Prize at the Young Musician Competition held in Chirpan while later on, at the International Competition in Klingental, Germany, he was acknowledged for his performance of a Bulgarian piece.
Today Petar works with almost all prominent musicians in his sphere. Within a couple of years he made nine releases of his performances, both solo and together. He takes part in different festivals and performs in all parts of the country and in Germany, Hungary, Norway, Russia, Austria, Holland and other. In 1991 he toured the major USA cities with “Bulgary”, a quintet performing traditional Bulgarian folk music.
Petar participates in different musical projects and seminars with European musicians: Stian Karstensen and Jovan Pavlovich from Norway; Monique Lansdrop – Holland, Kornel Horvath and Kalman Balogh – Hungary, Milcho Leviev – Bulgaria, Enver Izmailov – Ukraine, Teodosii Spasov- Bulgaria and others.

Petar Ralchev at YouTube: www.youtube.com/watch?v=QJuzLjZghJM&feature=related

 

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Stas Rayko (Ukraine/Germany, violin)

born in Ukraine, the land which was called 100 years ago the cradle of klezmer, Stas performed with his “Kharkow Klezmer Band” and “Kedem” in Europe from Kiew to London (Klezfest in London, "Donafest", Kalaka Folk festival, "SKIF Festival", "Jewish festival in Krakov", "Jüdisches Festival in Fürth", "X-block Barbican Festival", "Helsinki KLezmer Festival", "Altonale", "Klezmerwelten"). He teached regularly at “Klezfest St. Pertersburg” and was a faculty member of "Klezfest in Kiev", "Kharkov Klezmer Teg" "Klez Kanada", "Klezmerseminar Wien" and Yiddish Summer Weimar (2006). Since 2003 Stas lives in Germany.

 

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Adrian Recean (France, clarinet)

at the age of 12 Adrian started playing clarinet in Moldova. In 1999 he performed at an international clarinet meeting in the Bretonic village Glomel together with cimbalom player Alex Ciobanu Moldavian music and discovered there a lot of new facets of clarinet repertoire from all over the world. Afterwards he enrolled at the national conservatory of Boulogne-Bilancourt. In Jean-Max Dussert’s master class Adrian improved his clarinet playing. He also took part at ambitious courses of ensemble coaching, workshops for chamber and orchestral music and theory courses. Today Adrian lives in Paris and performs regularly East European music at world music festivals and concerts.

 

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Mark Rubin (USA, bass/tuba)

was born to musician parents who met on the University of Arizona marching band and nurtured their son's connection to Judaism and his eclectic musical tastes. A life long musician, the multi-talented Rubin is reknown as one of the America’s most versatile sidemen, adept at a variety of musical style and traditions. He was the founder of the seminal American Alt-Folk pioneers The Bad Livers as well as an in-demand sideman on the Texas honky tonk and ethnic dancehall scene. He has also produced music for two major motion pictures, writes regularly for publication, hosted a popular late night radio program in Austin for nearly a decade and has produced dozens of American folk music CD's, including the Grammy nominated Corason de Piedra for Tex-Mex accordion legend Santiago Jimenez, Jr. He was recently elected Noble Grand of his local Odd Fellows Lodge. Mark is an experienced Klezmer bass and tuba player having played with a virtual who’s-who of the modern Jewish music scene. He is a member of Frank London's Klezmer Brass Allstars and Henry Sapoznik & the Youngers of Zion and has also worked on the faculty of Klezmer festivals around the world including KlezKamp, Festival of Jewish Culture in Kracow, Klez Fest London and many others.
A noted teller of tall tales and a master of hyperbole, Rubin currently holds the title as “Best Pete Sokolow” impersonation, Southwest Division.

www.markrubin.com

 

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Fabian Schnedler (Germany, voice)

studied voice with Andrea Hofmann and Jessica Ryder and has been peforming Klezmer and Yiddish songs for over 10 years. He has a degree in Literature and Ethnomusicology from the Freie Universitaet in Berlin. He studied at Ernst Busch, Germany’s principal drama school, and toured with theatre companies including Robert Wilson’s ‘Saints and Singing’. He is a pioneer in Yiddish Acoustic Pop Music with his project Fayvish. He founded the duo „Schikker wi Lot“ together with the accordeonist Franka Lampe five years ago. Schnedler sings, plays the poyk and sometimes leads dancing with Tants in Gartn Eydn Berlin’s popular Klezmer dance band.

www.myspace.com/fayvish

 

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Guy Schalom (United Kingdom, percussion)

Described by fROOTS magazine as “one of the most versatile and interesting percussionists working in the UK today” percussionist, dancer and independent record producer, Guy Schalom has performed in the Middle East, throughout Europe and North America. Having graduated with a degree in Popular Music and Recording, Guy is particularly sought after in the field of Jewish music and is among the most in-demand klezmer drummers in Europe. It is however the field of World Music in which Guy is most well known. He has a busy touring schedule and has worked with the likes of Frank London, The Klezmatics, Josh "SoCalled" Dolgin, Michael Alpert, Susan Watts and David Krakauer. He is a founding member of the pan-European “Klezmer Alliance” as well Ukrainian Village Brass Band “Konsonans Retro” featuring Berlin's Christian Dawid and also runs his own duo: “Schalom-Bakhshayesh”.
Music and Dance are closely linked and Guy works regularly with Arabic dancers to convey this connection combining choreographies and on-the-spot Improvisations. He is co-artistic director of Egyptian Dance and Music company “Raqs Wa Musica Al Masraya Ltd” presenting the artistic and theatrical side of Raqs Sharqi and Egyptian music.
www.guyschalom.com

 

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Jake Shulman-Ment (USA, violin)
is among the leaders of the new generation of Klezmer and Eastern European folk music performers. He has co-founded, performed, and recorded extensively throughout the United States since the age of fourteen with groups including Romashka, MetróFolk, the Klezminors, the Village Klezmer Quintet, and Art Bailey’s Orkestra Popilar. He has performed with such luminaries as David Krakauer, Frank London, Duncan Sheik, Alicia Svigals, Deborah Strauss, Jeff Warschauer, Adrienne Cooper, Margot Leverett and the Klezmer Mountain Boys, Fleytmuzik, Életfa Hungarian Folk Band, and many others. Jake has created, directed, and performed music for a number of theater pieces, including several shows with director and artist Jenny Romaine of Great Small Works. He co-founded and regularly performs at “Tantshoyz,” the monthly Yiddish dance party at Manhattan's JCC. His wide range of styles includes klezmer, classical, Romanian, Hungarian, Gypsy, and Greek. An avid traveler, Jake has recently collected, studied, performed, and documented traditional folk music in Hungary, Romania, and Greece. Jake currently resides in Brooklyn, New York.
www.myspace.com/jakeshulmanment

 

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Adam Stinga (Moldova, trumpet)
was born in 1962 in the village Zirnesti, district Cahul. In 1985 he successfully graduated from the Institute of Arts “Gavriil Muzicescu” from Chisinau. He collaborated with many orchestras like “Lautarii”, “Busuioc Moldovenesc”, “Mugurel”, “Joc” and has played many concerts in countries like Italy, Germany, France, Ireland, Finland, Swiss, and Latin America, etc. Adam has recorded two CDs.
http://youtube.com/watch?v=87lPBuyYHAc&feature=related

 

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© by other music e.V. 2007-08